Public Culture

An interdisciplinary journal of transnational cultural studies

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Volume 11, Number 3

Issue 29, Fall 1999

The Bather: Self-Portraiture from a Movable Chair
Tabata Hideomi
Pictures at an Exhibition
Robert McCarthy
Self-Exposure(s): The Photographs of Tabata Hideomi
Laura L. Letinsky
Tabata Hideomi as “The Bather”
Norma Field
On the Downtown Side of Japan’s Old Capital: Higashi-kujo
Bruce Caron
[The Body in Theory]
James I. Porter
Industrial Poisoning
Meditations on Interdependence in the United States
Afterimage
My Encounter with Mr. Tabata
Chin Tae-il
The Dialectics of Still Life: Murder, Women, and Maquiladoras
Melissa W. Wright
God’s Phallus
Achille Mbembe and Steve Rendall
Marking Time with Nike: The Illusion of the Durable
Celia Lury
Race, Nationality, Mobility: A History of the Passport
Radhika Viyas Mongia

Comment

Iran Gardi
Roxanne Varzi

Artworks

Artworks

From the Field

Anlo-Ewe children assembling akadigbe kpui (short lamps) to sell in rural Ghana
James O'Neal

Cover

Volume 11, Number 3 Cover

About the Journal

Public Culture is a reviewed interdisciplinary journal of cultural studies, published three times a year in Fall, Winter, and Spring for the Society for Transnational Cultural Studies by Duke University Press. The journal's full archives are available online at Dukejournals.org.

© Copyright 2006–2009 Public Culture and Duke University Press. All Rights Reserved.

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